《滤镜之下》The Filtered Truth

好事發生工作室 Good News Artspace

日期27/03–05/04/2026

時間8:00PM, 3:00PM, 11:00AM


語言英文, 中文

類別戲劇

標籤實驗劇, 現代劇

Duration: 80 minutes without intermission

Doors Open: 20 minutes before the event

Seating: Free Seating

Dress Code: Casual

Recommended for: 8 years old and above

from

RM35.00/ approx NT$286.00

需支付额外费用

你真的相信自己看到的一切吗?

在滤镜、Deepfake 与 AI 修图主导的时代,《滤镜之下 The Filtered Truth》是一场 70 分钟的现场拆解实验。我们重写影像、操控叙事、制造偏见,而你将亲眼见证真相如何被加工。

你以为自己清醒?也许只是算法的观众。

If seeing is believing, what if seeing is engineered?

这不是科技秀,这是关于你。

票務

Friday

27th

Mar 2026

8:00PM (GMT+8)

Saturday

28th

Mar 2026

3:00PM (GMT+8)

8:00PM (GMT+8)

Sunday

29th

Mar 2026

11:00AM (GMT+8)

3:00PM (GMT+8)

Friday

3rd

Apr 2026

8:00PM (GMT+8)

Saturday

4th

Apr 2026

3:00PM (GMT+8)

8:00PM (GMT+8)

Sunday

5th

Apr 2026

11:00AM (GMT+8)

3:00PM (GMT+8)

關於

滤镜之下

一场关于 “你所看见的,是否真实” 的70分钟现场实验在滤镜、AI修图、Deepfake 与假新闻充斥的时代 —— 我们还相信自己的眼睛吗?

由导演 李奕翰 与多媒体设计师 陈俊嘉 十年后再度联手创作,《滤镜之下》The Filtered Truth 是一部融合 纪录剧场 × 影像 × 现场互动的70分钟混合式舞台作品。

这不仅是一场戏,而是一场关于视觉操控与社会歧视的沉浸式体验。


The Filtered Truth

A 70-minute live experiment asking one urgent question: Can you still trust what you see?

In an era saturated with filters, AI retouching, deepfakes, and fabricated news — are our eyes still reliable?

Ten years after their last collaboration, director Lee Yee Han reunites with multimedia designer Tan Chung Cea to present The Filtered Truth, a 70-minute hybrid performance that merges documentary theatre, AI-generated imagery, and real-time audience interaction.

This is not just a play. It is an immersive confrontation with visual manipulation and social discrimination in the post-truth age.


Ticket Price

‼️ 每场演出仅限 8 张 Early Bird 优惠票 ‼️
‼️ Only 8 Early Bird tickets available for each show ‼️

早鸟优惠 Early Bird Promo
(截止 Valid until 10 March)
原价 Standard 
(11 March onwards)
RM 35 OnlyRM 50

💥 为什么你一定要看?

如果你:

  • 每天刷 IG、TikTok、Reels
  • 曾因为外表、标签或截图而误解一个人
  • 怀疑新闻,却仍被画面影响
  • 想了解AI如何潜移默化地影响偏见
  • 关心社会问题,但不想看教科书式的说教

这部作品正为你而来。

这是一场给电脑和手机世代 的思辨现场 —— 我们是数位时代的原住民,却也可能是算法最忠实的受众。

当灯光熄灭,你还会相信什么?


💥 Why You Shouldn’t Miss It

If you:

  • Scroll Instagram, TikTok, or Reels every day
  • Have judged someone based on an image, label, or screenshot
  • Distrust the news — yet still feel influenced by what you see
  • Want to understand how AI subtly shapes prejudice
  • Care about social issues but resist didactic theatre

This performance is for you

The Filtered Truth is a live thinking space for the screen generation.

We are digital natives. But we may also be the most loyal followers of the algorithm.

When the lights go out, what will you still believe?


地点 Venue

逗号 Dou Houz | 10D, Jalan Panggong, KL
(茨厂街附近/Nearby Petaling Street, MRT Pasar Seni)

语言 Language

华语 & 英语 Mandarin & English


主创团队 Creative Team

制作人 Producer: 李奕翰 Anthony Lee Yee Han

编剧 Writer: 李奕翰 Anthony Lee Yee Han & 彭浩权 Jerry Pang

导演 Director: 李奕翰 Anthony Lee Yee Han

多媒体设计 Multimedia Design: 陈俊嘉 Tan Chung Cea

表演者 Performer: 彭浩权 Jerry Pang

With the Support of the Krishen Jit Fund 

Sponsored by 大阳光圆梦基金


剧团背景 

好事发生艺术空间(Good News Artspace)成立于2011年,秉持“剧场能改变社会”的信念,自创立以来致力于让表演艺术更为普及与大众化。

首部作品《盲爱》曾巡演于吉隆坡与槟城。2010年至2012年间,剧场作品《一个异乡人》入围槟城乔治市艺术节,并于2012年受邀前往新加坡参与国际交流演出。

儿童剧《红苹果之味》起源于槟城与马六甲,后受邀赴中国巡演,广受好评。广西艺术学院的宋全教授称其为“最具市场潜力与创意深度的儿童剧”。迄今为止,已有超过12,000位观众欣赏过该作品。

2014年乔治市艺术节期间,好事发生呈现《越洋控诉》,改编自1948年峇登加里真实历史事件,演出随后也在新加坡、中国及吉隆坡等地巡演。

偶剧《小兔奇遇记》在马来西亚及海外共演出近226场。

2022年,剧团创办了“IGNITE:单人表演艺术节”,于吉隆坡、槟城与柔佛展开31场巡演。

2023年,好事发生艺术空间与DPAC(白沙罗表演艺术中心)合作推出“2024年双人表演艺术节(DUO Performance Festival 2024)”,共演出10场,参与艺术家超过15人。


Organisation Background

Good News Artspace was founded in 2011, with the belief that theatre has the power to change society.

From the beginning, the company has been committed to making the performing arts more accessible and popular.

Its debut production,"Blind Love," toured Kuala Lumpur and Penang. From 2010 to 2012, the theatre production "A Stranger" was selected as a finalist for three consecutive years at the Georgetown Arts Festival. In 2012, it was invited to Singapore for the International Exchange Performances.

The children’s drama "The Taste of Red Apple," which originated in Penang and Malacca and later toured in China, was highly praised by Professor Song Quan of the Guangxi Arts Institute, who described it as “the most market-oriented and creatively rich children’s drama.” To date, over 12,000 audience members have experienced the production.

At the George Town Festival 2014, Good News Artspace presented"No Cover Up," a play based on a true historical event in Batang Kali. The performance was later staged in Singapore, China, and Kuala Lumpur.

The puppet show"Bunny’s Adventures" has been performed nearly 226 times across Malaysia and abroad.In 2022, the company launched the"IGNITE: Solo Performance Festival," featuring 31 touring performances across Kuala Lumpur, Penang, and Johor.

In 2023, Good News Artspace collaborated with DPAC to present the"DUO Performance Festival 2024," which included 10 performances and featured more than 15 participating artists.

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