三心 Trilogy of Hearts

 “心” 古人认为是思维的器官因此把思想、感情都说做“心”。

“金刚经”说：三心者，过去心、现在心、未来心。过去心不可得，现在心不可得，未来心不可得。三心不可得， 应无所住而生其心。但是，“应无所住而生其心”，无所住又要生其心，这不是自相矛盾吗？

正念，正是诠释”应无所住而生其心”的方法，只要你的觉照力和当下的心念紧密结合起来，连成一体，这就是无住生心的境界，就是在向无住的智慧靠扰。

“三心”演出结合舞踏、茶道、音乐、舞台设计、灯光、投影，以艺术的方式诠释三心，带领观众赴一场充满禅意之旅。

In ancient times, the “heart” was considered the organ of thought, which is why both thoughts and emotions were referred to as “heart.”

As the Diamond Sutra says: "The three hearts are the past heart, the present heart, and the future heart. The past heart cannot be obtained, the present heart cannot be obtained, and the future heart cannot be obtained. Since the three hearts cannot be obtained, one should be without a dwelling and give rise to the heart."

But what does it mean to “give rise to the heart without dwelling”? Isn’t this contradictory?

Mindfulness provides the answer—by uniting awareness with the present moment, you can embody the state of “giving rise to the heart without dwelling.” This state represents the journey toward wisdom free from attachment.

Trilogy of Hearts combines butoh, tea ceremony, music, stage design, lighting, and projection to artistically explore this concept. Through performance, the audience is invited on a meditative journey infused with Zen philosophy and reflective exploration.

概念/ 艺术总监/表演

Concept /Artistic Director /Performer:

李瑞强 Lee Swee Keong 

表演者/ Performer:

市原昭仁 Ichihara Akihito

友情演出/ Guest Performer：

有暋法師 Ven. Youmin

乐手 / Musician:

Aru8阿陸八

影像与音效设计/Visual & Sound Designer：

曾期坤 Bryan Chang Kee Khoon

Producer/ Technical director / Lighting Designer:

制作人/技术总监/灯光设计：

陈詠兴 Tan Eng Heng 

创作团队简介 / Creative Team Bio：

李瑞强 Lee Swee Keong

马来西亚资深表演艺术家，30年的丰厚经验与创作数量、口碑与成果不容忽视。

他是寿板舞踏的艺术总监，对推动舞踏不遗余力，并于2008-2019年间主办了12界吉隆坡国际舞踏祭（KL Butoh Fest）。李瑞强的创作常邀请其他艺术领域的艺术家做跨界交流也营运出许多出色的表演形式。这些作品有“灵戏”、“梁祝”、“棺材太大洞太小”、“清明上河图”等等。

除了活跃于马来西亚他也涉足许多国际演出与交流。曾登台的国家有法国、德国、意大利、美国、日本、香港、印尼、新加坡等等。

He is the artistic director and the founder of Nyoba Kan and KL Butoh Fest. It employs a fusion of Butoh, meditation and Zen philosophy to “gain a deeper understanding of the universe and shed light on the twin concepts of ‘existence’ and ‘emptiness’.”

His excellence performance brought him to France, Germany, Italy, USA, Japan, Hongkong, Indonesia, Singapore etc

市原昭仁 Ichihara Akihito

日本著名舞团「山海塾」资深舞者兼ELF Dance Project总监

至今，他是唯一一位跳过山海塾所有作品的舞者，并在多部山海熟作品中担任独舞。市原昭仁以舞者身分和多国的编舞家、导演和团体合作，亦举办了多场活动推广舞踏。 2022年，他与纸冈慧和藤本凛乃成立了ELF Dance Project，在世界各地进行演出交流及工作坊。他现于冈山大学研究生院担任体育与艺术教育的合作教师，并在日本和海外的大学举办交流活动与表演。

Ichihara has performed in all of Sankai Juku’s performances as one of the principal dancers. He often collaborates with choreographers, directors, and dance groups worldwide. In 2022, he founded the dance company, “ELF”, and has since presented works at renowned institutions.

释有暋法师 Ven. Youmin

来自马来西亚，於2007年出家。曾于台湾、美国及日本留学，取得法鼓文理学院及京都大学佛学硕士学位，目前为京都大学博士候选人。撰写论文之余，结合大乘唯识学、禅修与佛法心灵辅导，推广身心培训课程。

一位没学会礼佛就决定出家、不会说日语就跑到日本留学、没写完博士论文就先写散文分享的留学僧。是从来不按部就班学习的法师，喜欢追求僧活多样性，希望提高分享佛法的趣味性与实用性，让大家都乐于亲近佛法。

Venerable Youmin originally from Malaysia, he ordained as a monk in 2007. He has studied in Taiwan, the United States, and Japan, earning a Master’s degree in Buddhist Studies from Dharma Drum Institute of Liberal Arts and Kyoto University. He is currently a doctoral candidate at Kyoto University.

While writing his dissertation, he integrates Mahāyāna Yogacara philosophy, meditation, and Buddhist counseling into his work, and he actively promotes mind-body training programs.

A monk who decided to ordain without first learning formal rituals, ventured to Japan without knowing Japanese, and chose to write essays sharing his experiences before completing his doctoral dissertation. He is an untraditional scholar and teacher, embracing diverse paths of monastic life. His mission is to make the study and sharing of Buddhism both engaging and practical, encouraging everyone to approach Buddhism with joy and openness.

Aru8 阿陸八

Aru8阿陸八是位艺术剧场音乐人同时活跃于中文摇滚音乐。

除了摇滚乐他还研究一些传统乐器如古琴，三弦，Sitar，Sape琴，马头琴等等。

目前他是独立摇滚乐团“Lang浪” 和“Arvan阿爾梵”的吉他手。

Aru8 is a musician who is also active in Chinese rock music.

In addition to rock music, he also studies traditional instruments such as Guqin, Sanxian, sitar, sape morin khuur, etc.

He is currently the guitarist of the independent rock bands "Lang Lang" and "Arvan".

曾期坤 Bryan Chang Kee Khoon

设计师和艺术家，主要从事平面设计、场景设计和媒体艺术。合作对象包活：本地和国际艺术家、剧场组织、餐饮业、国际文化组织、媒体公司和媒体节。近作：<过站不停：归城记>、<A Listening Body>、<Symbiocene>、<Mixtape for Maz>、<Dari Pinggiran>、<谢师会>、<Every Thought I've Ever Had>、<Hubs for Good Toolkit>、<MayWe: Belas Masa>和<Unity>（1918），近期获得4项艺术奖提名：灯光设计、声音和多媒体设计。他也是 Sans Collective 的联合创始人——一个针对表演和展览创作的跨界艺术和设计团体。

Bryan Chang is a designer and artist working in graphic design, scenography and media arts. He has worked with artists, theatre companies, F&B businesses, international cultural organisations, media companies, and media festivals, locally and internationally. Recent work highlights include Switchblade Operation: The Longing, A Listening Body, Symbiocene, Mixtape for Maz, Dari Pinggiran, The Teacher Appreciation Banquet, Every Thought I’ve Ever Had, Hubs for Good Toolkit, MayWe: Belas Masa, and Unity (1918). He recently received four arts award nominations in lighting, sound and multimedia design for theatre and dance. He is also a co-founder of Sans Collective, an interdisciplinary art and design collective creating works for performance and exhibition.

陈詠兴 Tan Eng Heng

1998 年以荣誉奖及最佳学生奖毕业于马来西亚艺术学院戏剧系。曾为MSC国际咨讯艺术学院、SeGI College、新纪元学院戏剧系、University Pendidikan Sultan Idris （苏丹伊徳利斯教育大学）担任讲师。曾为白沙罗表演艺术中心（DPAC）剧场经理。

他主张让表演艺术走入民间，所以目前除了灯光设计之外，也极力推动地方性演出，让各地区的民众能体会表演艺术的魅力。

曾荣获2000年戏炬奖十大剧场幕后精英、金马伦艺术奖第9、第10、第12、第13、第18及第19届最佳舞蹈灯光设计。并于多个大型演出中担任要职，并随多个国内外表演团体到世界各地巡演。

Malaysia renowned lighting designer.

An avid supporter of community theatre, he has been promoting theatre-making in different communities. In addition to his lighting design profession, he has been developing community based theatre in different states and towns in Malaysia. He hopes that peoples in these communities could also enjoy the beauty of performing arts.

He was lecturer in MSC International College, SEGI College, New Era College Malaysia and  University Pendidikan Sultan Idris. He also was the Theatre Manager for Damansara Performing Arts Centre (DPAC).